Image via Balenciaga China
Ahead of Chinese Valentine’s Day, Balenciaga is attracting the wrong sort of heat due to its new bag campaign and collection that has left Chinese consumers thinking their eye for detail is being underestimated.
Social media users felt like the French luxury label was insulting their intelligence when it launched the limited-edition Hourglass bags alongside a set of photos showing pixelated backgrounds and harsh lighting.
Many lamented that they had initially assumed the “gaudy” adverts were unofficial edits
photoshopped by internet users.
Others compared the ads’ quality with Balenciaga’s thought-provoking Fall/Winter 2020 campaign about life after an apocalypse. “Balenciaga’s campaign in Europe this year follows a post-apocalyptic theme made using exceptional artistry and technique, revolving around the idea of being able to imagine the future yet lacking the courage to accept it,” one commenter pointed out, as translated by
Mothership.sg.
“Take the European promotional campaign and put it together with the Chinese campaign,” they continued. “Only an idiot would believe that the French didn’t mean to insult us with this.”
According to Dazed, Balenciaga’s creative director Demna Gvasalia had spent six months working on the dramatic Fall/Winter series.
Consumers were also incensed by the design of the actual products reading “He Loves Me” in graffiti fonts. As reported by
Jing Daily, it appeared to them that the brand was mirroring the loud aesthetics apparently favored by those living in rural areas.
The hashtag “#BalenciagaChineseValentineCampaignTasteless” amassed 210,000 discussions on Chinese social network Weibo, with the topic “#BalenciagaInsultsChina” receiving 15 million views by Tuesday night.
It seems that Balenciaga has taken down most of the Valentine’s Day imagery, save for one.
Image via Balenciaga China
[via
Mothership, cover image via
Balenciaga China]