
Video screenshot via English Heritage
Reading between the lines and a subject’s lips, English Heritage has made a fascinating discovery in its art collection: a 17th-century portrait of Diana Cecil, a prominent Jacobean noblewoman, had been modified long after its original creation to match evolving beauty standards.
The painting, done by Cornelius Johnson in 1634, was found to have undergone alterations in the 19th or 20th century.
Cecil’s lips, it turns out, had been plumped up through overpainting, giving her a fuller pout—resulting in what has been coined today as the “Kylie Jenner treatment.”
Additionally, her hair had been reworked by a Victorian restorer to create the illusion of a smaller forehead.
In recent efforts to revive the work, conservators undid the fillers, allowing Cecil’s natural visage to shine through once again. Alongside this, the portrait underwent a thorough cleaning to remove layers of yellow and aging varnish, regaining the original colors.
This effort not only showcased Cecil’s unaltered appearance but also brought to light the portrait’s true date (1634) and the original artist’s signature.
Diana Cecil, born in 1596, was a notable figure of her era. She hailed from a powerful noble family at the Jacobean court and was renowned as a great beauty during her time. Notably, she was the great-granddaughter of William Cecil, one of Queen Elizabeth I’s closest confidants and advisors.
The restored portrait, now believed to be a true reflection of Cecil’s untouched beauty, will be showcased at Kenwood House in North London on November 30. It will be displayed alongside another portrait of her in her youth and one of her husband, Thomas Bruce, the 1st Earl of Elgin, as part of the Suffolk Collection. This display offers a rare glimpse into the aesthetics and life of 17th-century nobility, while inadvertently highlighting the fluidity of cosmetic trends through time.
In another instance of old meets new values in art this week, a UK museum has reclassified a Roman emperor as a trans woman.
[via The Guardian and The Telegraph, video and images via English Heritage]