The beauty of photography might also be its downfall: verisimilitude. Photojournalists strive for accurately—and beautifully—portraying disasters, wars and major events, but at what price?
A Guardian article illustrates how because these photographs are real, readers become desensitized to the going-ons around the world.
Floods, hurricanes, violent riots all get filtered through the Reuters and AP desks and onto our breakfast tables. It’s a deluge of unpleasant images that we’ve not only become accustomed to them—we’ve become apathetic.