The Art Institute of Chicago
Chicago, Illinois
10 October 2009 – 3 January 2010
Sixty years ahead of the avant-garde, aristocratic Victorian women were already experimenting with photocollage. The compositions they made with photographs and watercolors are whimsical and fantastical, combining human heads and animal bodies, placing people into imaginary landscapes, and morphing faces into common household objects.
With sharp wit and dramatic shifts of scale akin to those Alice experienced in Wonderland, these images stand the rather serious conventions of photography in the 1860s and 1870s on their heads. Such images, often made for albums, reveal the educated minds as well as accomplished hands of their makers, as they take on new theories of evolution, the changing role of photography, and the strict conventions of aristocratic society.
This exhibition at the Art Institute will showcase the best albums and loose pages from collections across the United States, Europe, and Australia.
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