November 2008
NewBlue, Inc. introduced NewBlue Paint Effects and NewBlue Paint Blends, the latest video effects and transitions collections in its rapidly-expanding product lineup.
These new collections of professionally-designed video effects plugins provide a creative array of more than 250 video paint techniques, such charcoal, water color, mosaic, pencil rubbing, and more.
Notably featured in both collections is Cartoonr Plus, a more sophisticated and feature-rich version of NewBlue's free Cartoonr plugin made available last spring. Like its free predecessor, Cartoonr Plus allows users to easily create an animated, hand-painted cartoon look to any video.
Inspired by the creative techniques of artists, NewBlue Paint Effects and Paint Blends add a wide palette of artistic choices for video editors. Explains Todor Fay, NewBlue chief technology officer, "Both NewBlue Paint Effects and NewBlue Paint Blends bring original ideas to the table. Now video editors can distinguish themselves from the crowd with bursts of color and clever ways to 'redraw' their storylines."
NewBlue Paint Effects and NewBlue Paint Blends join the company's highly-regarded product line of 16 comprehensive collections of video effects plugins, video transitions and audio filters.
These new video plugin collections are available for all major video editing software platforms, including Adobe After Effects, Adobe Premiere, Adobe Premiere Elements, Apple Final Cut Pro, Apple Final Cut Express, Apple Motion, Avid Media Composer, Avid Xpress, Avid Liquid, Corel (formerly Ulead) VideoStudio, Pinnacle Studio, Sony Vegas, Sony Vegas Movie Studio and Thomson Grass Valley EDIUS.
Want to see what 24 hours of creative awesomeness look like? Click here.

This news message is supported by The Creative Finder, an online platform for photographers, illustrators, designers, and art directors to promote their portfolios towards new clients and collaborators. Creatives who wish to sign up for an account can save 10% off annual fees with promo code 'designtaxi'.


