111 South Michigan Avenue
America
14 February – 26 April 2009
Munch was mentally unstable.
Munch draws his style from French and German contemporaries and not his fellow Scandinavians.
This popular understanding of Edvard Munch will be challenged and overturned in this exhibition that explores the Norwegian artist popular for his work The Scream and other iconic expressions of modern anxiety and despair.
By considering Munch’s paintings, prints, and drawings to his European peers including James Ensor, Vincent van Gogh, and Claude Monet, surprising connections reveal Munch as he is.
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