From October 24 onwards, visitors can enter the piece via a steep ramp that leads down from the upper floor into the 'Viewing Space'; immersing themselves in a 'sublime bath of light', they can experience with all their senses how the architectural elements of the space dissolve in this homogeneous visual field, creating a sense of perceptual disorientation. While the light reveals and refers to nothing beyond itself, surface qualities interact with those of color and space to create an atmosphere that completely envelops the spectator and stimulates the senses. Viewers become submerged in a mysterious, painterly world of pure light. Turrell describes this as 'feeling with your eyes', an experience he regards as not just aesthetic but also spiritual.
Occupying a central place in the oeuvre of James Turrell, who was born in 1943 in Los Angeles and is one of the leading artists of the present day, is Roden Crater, a 150-meter-high extinct volcano in the Arizona desert. Since 1974 Turrell has been transforming this site into an artistic observatory where various phenomena of celestial light can be studied. "The Wolfsburg Project" has been developed in relation to this cosmic 'light observatory': Roden Crater with its opening to the sky has been rotated by 90 degrees, as it were, and inverted to create a seemingly endless interior space. For this extensive installation the artist has employed state-of-the-art light technology and is also making full use of the Kunstmuseum’s architectural and technical possibilities, which are unique within the German museum landscape.
James Turrell’s light art represents the climax of a development that extends from abstraction to the self-revelation of light to the conquest of cosmic space. Having studied art, history of art, mathematics and psychology in Los Angeles, Turrell became known as part of the Californian 'Light and Space' movement, along with Robert Irwin and Douglas Wheeler. His reductive aesthetic, which works with nothing but pure light, was initially considered to be an extension of large-format Color Field Painting (Mark Rothko, Barnett Newman) and was viewed in the context of Minimal art and Land art (Dan Flavin, Walter De Maria). Today, however, Turrell – who always worked at a distance from artistic trends and fashions – occupies a unique position owing to his radical approach to the use of light and his elaborate architectural “laboratories”.
In addition to its central piece, the exhibition "The Wolfsburg Project" traces the development of this outstanding light artist’s oeuvre with a selective presentation of other artworks. Turrell’s first light works, the "Projection Pieces" – represented here by prints from the series "Still Light" – form the thematic starting point of the exhibition. The display spans from the beginning of Turrell’s career over a technically advanced spectral Wedgework “Aloka’s Thought”, created especially for Wolfsburg, to the 2007 piece “Spinther” from his most recent body of work, entitled "Tall Glass Pieces".
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