The inaugural prize will be judged by a panel of high profile artists and historians including Medeia Cohan-Petrolino, Head Curator for the University of the Arts London; Lock Anderson Kresler, Christie’s Contemporary Art Department; Averill Ogden, Outset Art Fund, and Tom Hunter, Artist.
Young Masters, curated by Constance Slaughter and Beth Colocci, presents artists Gemma Anderson, Lluís Barba, Jessie Bond, Charlotte Bracegirdle, Maisie Broadhead, Cecile Chong, Héctor de Gregorio, Alice Evans, Art Basel exhibitors Ghost of a Dream, Kerry Jameson, Valerie Mary, Ali Miller, David Roche, Constance Slaughter, Antonia Tibble and Masaki Yada, all of who reveal images that are familiar icons, often instantly recognisable, yet re-interpreted, distorted and somewhat uncanny.
The Young Masters Art Prize was conceived by respected gallerist Cynthia Corbett, who represents emerging and newly established artists. Corbett is a regular exhibitor and curator at international contemporary art fairs, and promotes an annual programme of off-site and “pop-up” exhibitions at Cork Street, Mayfair as well as the East End. She describes her enthusiasm and reasoning behind the prize: “Young Masters reflects our belief that the contemporary art world has, to a great extent, ignored craft and technical skill when bestowing recognition and awards to young artists. Young Masters and the first Young Masters Art Prize hope to address this partiality towards conceptualism. Young Masters celebrates absolute technical brilliance in homage to the Old Masters, in all fields of contemporary art from painting, sculpture and drawing to photography, video and installation, proving that all media of contemporary practice is capable of meeting exacting technical as well as conceptual standards.”
Cynthia describes AXA’s recent decision to sponsor the prize: “It is wonderful news for the artists and the whole team involved in the exhibition to be working with such a generous and supportive partner as AXA.”
Nicolas Moreau, group chief executive of AXA UK says, “We are delighted to be supporting these Young Masters who find inspiration in art history, little recognised by previous generations.”

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