Video screenshots via AICP
The Association of Independent Commercial Producers (AICP) knows the struggle. Creating a truly impactful commercial, one worthy of a museum exhibit, is no easy feat. Its clever campaign, titled Museum-Worthy, playfully explores this challenge through the eyes of artistic legends Vincent van Gogh and Frida Kahlo.
The activation, crafted by advertising agency BBDO and directed by Brian Billow of O Positive, is made up of two separate short films and depicts a parallel universe where the iconic artists grapple with the nonsensical, soul-crushing “feedback” of stereotypical marketing executives. Van Gogh, in his instantly recognizable straw hat and smock, is bombarded with jargon-filled critiques of his masterpiece Starry Night. Meanwhile, Frida Kahlo endures comments on the color palette of a self-portrait, her signature unibrow raised in exasperation.
The year is 1889, and we find ourselves in Van Gogh’s studio. The Dutch master, clad in period attire, stands before his magnum opus: The Starry Night. Two eager account executives approach him, their smiles masking the impending blow. “The client loved the painting,” they announce. But there’s a catch. The masterpiece is deemed “a little, um, dark.” Could Van Gogh perhaps conjure up a sunnier version while retaining the beloved title? The absurdity of this request is not lost on us, yet it mirrors the plight of countless creatives who’ve seen their brilliant ideas diluted beyond recognition.
Fast-forward to 1930s Mexico. Frida Kahlo, resplendent in her signature style, faces a similar fate. Her self-portrait, complete with a monkey companion, has drawn mixed reviews. A junior client finds the forehead “off-putting and confrontational,” while the CMO’s husband—a stranger to the creative process—simply doesn’t “get it.” The struggle is real, even for an artist of Kahlo’s caliber.
Van Gogh’s painting faces the ultimate test: a focus group. Yes, a focus group for a painting! Participants dissect The Starry Night with ruthless precision, questioning its very essence. Meanwhile, Kahlo receives unsolicited advice. Why not swap the monkey for puppies? “People trust puppies,” insists one executive. The clash between artistic integrity and commercial compromise unfolds hilariously.
This comedic approach resonates deeply with anyone who has ever navigated the sometimes-daunting world of creative approval. As the AICP aptly captions these videos: “It’s hard to make museum-worthy art. It’s harder to make museum-worthy ads.” So, let artists be artists. Trust their vision. And remember, even the greats faced absurd feedback—whether from spectators, clients, or focus groups.
[via My Modern Met, GOOD, Upworthy, video and cover image via AICP]