Video screenshot via Christie’s San Francisco
An opening artwork at the Venice Biennale was not able to make it for its showing due to complications from the Ukraine-Russia conflict. Occupying its place is a printout of the art and a note. Needless to say, its absence is deeply felt.
Auction house Christie’s seems to have found a solution to fill a similar void. It’s installed a holographic likeness of French Impressionist Edgar Degas’ Petite danseuse de quatorze ans (Little Fourteen-Year-Old Dancer) sculpture at the San Francisco and Hong Kong previews of late American philanthropist Anne Bass’ collection, which is primed for auction in New York.
Having been sculpted 95 years ago, the bronze is a little fragile for travel. The display of the hologram is a win-win: It will keep the 40-inch-tall artwork—estimated to go under the hammer for US$20 million to US$30 million—safe for the next owner, while inviting viewers to have an up-close, three-dimensional look at the creation as if it were in the flesh.
The technology comes from Proto (formerly PORTL), a Los Angeles company specializing in 4K, hyperrealistic holographic projections. Holograms by Proto are showcased in boxes, and there happen to be some of those portals available in San Francisco and Hong Kong to be used for the showings.
As reported by the Art Newspaper, logistics have been especially tricky no thanks to the Russian invasion, which has not only blocked off routes but also skyrocketed shipping and oil costs. The publication also says art deliveries are now eight to 12 times more expensive than in recent times.
The hologram is an inventive way to bring the goods to the people without having to handle extravagant international shipping costs or hurting the environment. Looking at how situations are evolving now, there’s a chance art lovers will be seeing more of these displays in exhibitions.
Proto tells DesignTAXI that, on Sunday, it performed a “global first” for major live awards shows by teleporting a guest from Taipei into Singapore via a hologram machine to headline the latter’s Star Awards. The 3D recreation of the Taiwanese co-host, whose person was also reacting to events at the show, was “fully interactive and lifelike,” a spokesperson tells us. “It’s just like they are there,” Proto adds.
[via Artnet News and The Art Newspaper, video and cover image via Christie’s San Francisco]